Maatakitj (AKA Clint Bracknell) is a Nyoongar song-maker and guitarist from the south coast of Western Australia. His stage name means ‘legs like spears’ in Nyungar language, his mother tongue.

Performing as Maatakitj, he has composed for and performed with the world-renowned Kronos Quartet, toured Australia with five-time Grammy Award winner Angelique Kidjo, and produced his debut Nyoongar language album with ARIA Award winner Paul Mac. Recent tours have seen Maatakitj play at the Jamba Nyinayi Festival in Coral Bay, WA and at World Expo Osaka, Japan alongside and an ensemble of acclaimed Nyoongar performers.

As a Professor at The University of Western Australia, he activates deep connections between song, language, and landscapes.

After being nominated for ‘Best Original Score’ in the 2012 Helpmann Awards for his work on Shaun Tan’s The Red Tree (Barking Gecko), Bracknell went on to compose for Australian theatre over the ensuing decade. His composition and sound design credits include York (2021), Water (2019), Skylab (2018) and The Caucasian Chalk Circle (2016) for Black Swan STC, and Hecate (2020) and King Hit (2014) for Yirra Yaakin. His music is also featured on international advertising campaigns, television programs and the feature film H is for Happiness (2019).

Bracknell co-produced the podcast series Song With No Boss for ABC Radio National and is co-translator and lead voice actor in Fist of Fury Noongar Daa, the audacious and ground-breaking 2021 Nyungar language dub of the 1972 Bruce Lee film. He also co-translated Hecate, the lauded 2020 Nyoongar-language adaptation of Shakespeare’s Macbeth. Both Nyoongar translation productions were firsts for Indigenous languages of Australia and continue to generate international interest. As co-director of Nyungar creative company Boomerang and Spear with award-winning Nyungar artist, his wife Kylie Bracknell, Clint co-convenes major live arts events and co-wrote the book Shakespeare on the Noongar Stage (2024).

Bracknell is an elected Fellow of the Australian Academy of the Humanities and serves on the First Nations board for Creative Australia. He was awarded the 2021 ECU Vice Chancellor’s Research Engagement Award and the 2020 John Barrett Award for Australian Studies. He presented the 2019 Australian Academy of the Humanities Hancock Lecture and is a current Future Fellow of the Australian Research Council. The Cambridge Companion to Music in Australia (2024), co-edited with Amanda Harris, is Bracknell’s latest book.

  • Clint, whose great passion is the revitalisation of Noongar language and song, is no mere academic but a charismatic stage performer blessed with the powerful voice and rhetorical and compositional talents to convincingly connect past, present and future.

  • A clattering of clapsticks and a rush of strings triggered the chant “Bindari”; rhythm, harmony and Maatakitj’s powerful, generous voice painting a folkloric soundscape with overtones of pop.

  • Maatakitj’s eminently danceable and compelling songs in language mark his rich and evolving culture with driving rhythms and complex tempos and were clearly appreciated by the audience.